Floyd Norman Delivers First Installment of His Papers to the UCSB Library

Floyd Norman - who made history in 1956 by becoming the first African American cartoon animator at Disney Studios - delivered the first installment of his papers to the UC Santa Barbara Library on Sept. 16, which includes mid-1960s 16 mm films, animation materials, cartoon collections, and audio interviews. The materials will be digitized for public use. 

UCSB Library becomes repository for La Casa de la Raza’s historical archive

The UC Santa Barbara Library and La Casa de la Raza have reached a new accord that signals another milestone in the preservation of local community history.

At a public reception July 11 at La Casa de la Raza, representatives from the library and from La Casa signed an agreement that will ensure the historical records of this community-based organization will be archived, preserved and made accessible in the library’s Special Research Collections.

UCSB Library Establishes the Henri Temianka Audio Preservation Laboratory

“Miraculous little machines,” wrote Henri Temianka in his 1968 essay for The Instrumentalist titled “In Praise of Tape Recorders.” The virtuoso violinist, conductor, teacher, author, and founder of the Paganini Quartet and California Chamber Symphony extolled the devices for their myriad uses: to record lessons, to listen back to (and thus improve) playing, to serve as an ever-ready piano accompaniment, and more.

“I can think of no better investment,” he wrote.

"Calamity Revisited" A Symposium and a pair of exhibitions at UCSB re-examine the 1969 oil spill

In the UC Santa Barbara Library, two exhibits will revisit the spill — one in-depth, the other through art. The first, “Anguish, Anger and Activism: Legacies of the 1969 Santa Barbara Oil Spill,” will run Monday, Jan. 28, through Sunday, June 16, in the library’s Special Research Collections (Mountain Side, third floor).

"Nuestras Américas" Exhibition Explores Latino and Latina Artistic Expression

In the silkscreen print “Rio Por No Llorar” (“I Laugh to Keep from Crying”), Carmen Miranda’s famous fruit-laden headdress demands that you look more closely. Bananas with a Chiquita label are encased in barbed wire. A bunch of grapes is surrounded by skulls and crossbones — a pesticide warning. Above them, a Folger’s coffee can bursts open, and flies hover everywhere.

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