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The M Classes
[Introduction to the M Class]
[Brass]
[Guitar]
[Percussion]
[Piano]
[Strings]
[Vocal music]
[Woodwinds]
[ML Class]
Books, bound periodicals, and scores in the library are arranged
on the shelf in broad subject areas based on a system called the Library
of Congress (LC) Classification. These broad areas are indicated by one or two
letters at the head of every LC call number. In the music section of the
Arts Library at UCSB, scores are arranged under the letter M, books on
music under ML and MT. Unlike music, most subject areas do not have mnemonic
letters. For example, in Davidson Library, philosophy books are under B, history
under D, E, or F, political science under J. See
Where is it?, a guide to LC class letters and their locations in the
library.
Following the letter or letters beginning the call number is a number
indicating a more specific subject area. For music students, using the LC
classification is one way to browse through the library's holdings of scores,
books on music, and music periodicals. For example, if you are a violinist
and would like to
look through the library's collection of string quartets, you could simply
go to the shelves and look under M452, the class for string quartets. Or if
you are a pianist and want to find a volume of Beethoven piano sonatas, you
could go to M23 and look under B for Beethoven. As you can see, you will find it
handy to learn the numbers for your particular performance area. Browsing the shelves under relevant classification numbers is a good way learn about the literature for your instrument and discover resources previously unfamiliar to you. See Introduction to the M Class, and the concise
summary of the ML numbers. See also M, ML, and
MT class numbers for brass, guitar,
percussion, piano,
strings, vocal music, and
woodwinds. The
guide to the M classes available from the University of Tennessee
Music Library and the
index available from the Indiana University Music Library are also
helpful.
It is important to remember that materials on the shelf under the various classification
numbers may not represent all of the library's holdings. For example, the volume of
Beethoven piano sonatas you are looking for on the shelf under M23 B may be charged out
to another library user. To make sure you are finding all the library's books or
scores within each classification, you should search in
Pegasus, UCSB's online library catalog.
In the M class the number usually indicates medium or, in some cases, form
or genre. An important exception is M3, the class number for complete
editions of the works of individual composers. For example, to find the
new complete edition of the works of J. S. Bach, look under M3, then under
B for Bach. Another exception is M2, where you will find collections of
scores emphasizing a particular historical period or geographical area. Here,
for example, are the multivolume sets Recent Researches in the Music
of the Baroque Period (M2 .R42) and Musica Britannica (M2 .M7).
In the M class, instrumental music is numbered first, followed by secular
vocal music, then sacred. Within instrumental music, solo and chamber music
come first, followed by music for larger instrumental groups: full orchestra,
then string orchestra, then band. Solo music for one instrument alone without
accompaniment is numbered up to M179. Duets are mostly in the M200s, trios
in the M300s, quartets M400s, etc., up to orchestral music beginning with
M1000. Concertos are included in the M1000s (full orchestra) and M1100s
(string orchestra). For most instruments the class number for full scores of
concertos is followed by the number for scores with the orchestra parts
reduced for piano. For example, violin concertos in full score are classed
M1012, followed by violin concertos with piano reduction under M1013
(or M1112 and M1113 respectively for string orchestra). Consequently, one
does not have to search in two different places to find full and reduced
scores of concertos for a particular instrument, since they are together on
the shelf.
Vocal music is unfortunately not ordered as neatly as instrumental. The
class numbers begin approximately with M1500 for full scores of operas.
Sacred vocal music follows secular, beginning approximately with M2000 for
full scores of oratorios (notice that both secular and sacred begin in
parallel with large dramatic works). The class for vocal scores of operas is
M1503, and for oratorios, M2003. Solo songs, secular and sacred, do not have
parallel numbers: the former begin with M1611, the latter with M2102.
Collected songs of individual composers are under M1620. Song cycles are
under M1621.4. See vocal music.
Most class numbers are arranged on the shelf alphabetically by composer. For
example, if you are looking for a vocal score of an opera by Puccini, look
in the M1503s under P. If you are looking for a collection of solo songs by
Schubert, look in the M1620s under S. For symphonies by Mozart, look in the
M1001s under M.
- Solo music, unaccompanied
- M 80-84 -- Horn
- M 85-89 -- Trumpet
- M 90-94 -- Trombone
- M 95-99 -- Tuba
- Solo with piano
- M 255-259 -- Horn
- M 260-261 -- Trumpet
- M 262-263 -- Trombone
- M 264-265 -- Tuba
- Chamber music
- M 288-289 -- Duets, winds
- M 357.4, 457.4, etc. -- Brass trios, quartets, etc.
- Solo with orchestra
-
- M 1028-1029 -- Horn
- M 1030-1031 -- Trumpet
- M 1032-1033 -- Trombone
- M 1034.T8, 1035.T8 -- Tuba
- Other useful M class numbers
- M 1001 -- Symphonies
- M 1002 -- Symphonic poems
- M 1003 -- Orchestral suites, variations
- M 1004 -- Overtures
- Literature
- Books on construction, music, and playing:
- ML 933 -- Brass, general
- ML 955-958 -- Horn
- ML 960-963 -- Trumpet, cornet
- ML 965-968 -- Trombone
- ML 970-973 -- Tuba, baritone, etc.
- Instruction and study
- Instrumental techniques, including methods, studies, and orchestral
excerpts:
- MT 418 -- Brass, general
- MT 420-428 -- Horn
- MT 440-448 -- Trumpet, cornet
- MT 460-468 -- Trombone
- MT 480-488 -- Tuba
- MT 496-496.8 -- Baritone, euphonium
See also M, ML, and MT numbers for
guitar, percussion,
piano, strings,
vocal music, and woodwinds.
Top.
M 125-129 -- Solo guitar
M 292-293 -- Two guitars
M 365-369, M 465-469 (etc.) -- Three, four (etc.) guitars
M 276-277 -- Guitar and piano
M 294-295 -- Guitar and one string instrument
M 296-297 -- Guitar and one wind instrument
M 1037.4.G8 -- Guitar with full orchestra
M 1137.4.G8 -- Guitar with string orchestra
ML 1015.G9, 1016.G8 -- Books on guitar music, playing, construction
MT 580-588 -- Guitar techniques, methods, studies
See also M, ML, and MT numbers for
brass, percussion,
piano, strings,
vocal music, and woodwinds.
Top.
- Solo and chamber music
-
- M 146 -- Solo percussion
- M 175.X6 -- Solo marimba, xylophone
- M 284.P4, M 285.P4 -- Piano and percussion
- M 284.X9, M 285.X9 -- Piano and marimba, xylophone
- M 298 -- Other duets including percussion
- M 385 -- Trios including percussion
- M 485, 585, etc. -- Quartets, quintets, etc. including percussion
- Solo with orchestra
- M 1038 -- Full orchestra
- M 1039 -- Piano reduction
- M 1138 -- String orchestra
- M 1139 -- Piano reduction
- Other useful numbers
- M 1001 -- Symphonies
- M 1002 -- Symphonic poems
- M 1003 -- Orchestral suites, variations
- M 1004 -- Overtures
- Literature
- Books on percussion instruments:
- ML 1030 -- General
- ML 1031 -- Construction
- ML 1033 -- Music and playing
- ML 1035 -- Drum, kettledrum, etc.
- ML 1039 -- Carillons
- ML 1040 -- Other percussion instruments including bells
- Instruction and study
- MT 655 -- General
- MT 660 -- Kettledrums
- MT 662 -- Side drum, small drum, etc.
- MT 710 -- Carillon, bell ringing
- MT 719 -- Xylophone
See also M, ML, and MT numbers for
brass, guitar,
piano, strings,
vocal music, and woodwinds.
Top.
- Piano (harpsichord, etc.) solo
- M 21 -- Miscellaneous collections
- M 22 -- Collections by one composer
- M 23 -- Sonatas
- M 24 -- Suites
-
- M 25 -- Other separate pieces
- M 26 -- Left hand only
- M 26.2 -- Right hand only
- M 27 -- Variations
- M 30-32 -- Dances
- M 32.8-39 -- Arrangements
- Piano, four hands
- M 200-201 -- Collections
- M 202-204 -- Separate works
- M 207-212 -- Arrangements
- Two pianos
- M 214 -- Original compositions
- M 215 -- Arrangements
- M 216 -- Two or more pianos, three or more performers
- Other chamber music
- M312, 412, 512 -- Piano trios, quartets, quintets
- Solo with full orchestra
- M 1010 -- Full score
- M 1011 -- Two-piano score
- Solo with string orchestra
- M 1110 -- Full score
- M 1111 -- Two-piano score
- Literature
- Biographies of pianists:
- ML 397, 417
- Books on construction, music, and playing:
- ML 650 -- General
- ML 651 -- Harpsichord, clavichord
- ML 652-697 -- Construction
- ML 700-747 -- Music and playing
- Instruction and study
- MT 220 -- General
- MT 222 -- Methods
- MT 225-242 -- Studies and exercises
- MT 243 -- Teaching pieces
- MT 245, 247 -- Instructive editions
See also M, ML, and MT numbers for
brass, guitar,
percussion, strings,
vocal music, and woodwinds.
Top.
- Solo music, unaccompanied
- M 40-44 -- Violin
- M 45-49 -- Viola
- M 50-54 -- Cello
- M 55-59 -- Double bass
- M 59 -- Viola da gamba, viola d'amore
- Solo with piano or continuo
- M 217-223 -- Violin
- M 224-228 -- Viola
- M 229-236 -- Cello
- M 237-238 -- Double bass
- M 239 -- Viola da gamba, viola d'amore
- Chamber music
- M 351 -- String trios
- M 452, 552, etc. -- String quartets, quintets, etc.
- M 312, 412, 512, etc. -- Piano trios, quartets, quintets, etc.
- Solo with full orchestra
- M 1012, 1013 -- Violin (full score, piano reduction)
- M 1014, 1015 -- Viola (full score, piano reduction)
- M 1016, 1017 -- Cello (full score, piano reduction)
- M 1018 -- Double bass (full score and piano reduction)
- Solo with string orchestra
- M 1112, 1113 -- Violin (full score, piano reduction)
- M 1114, 1115 -- Viola (full score, piano reduction)
- M 1116, 1117 -- Cello (full score, piano reduction)
- M 1118 -- Double bass (full score and piano reduction)
- Other useful numbers
- M 1001 -- Symphonies
- M 1002 -- Symphonic poems
- M 1003 -- Orchestral suites, variations
- M 1004 -- Overtures
- Literature
- Biographies of string players:
- ML 398, 418
- Books on construction, music, and playing:
- ML 750 -- General
- ML 755 -- Construction of string instruments
- ML 756 -- Music and playing, string instruments
- ML 760 -- Viola da gamba and other early string instruments
- ML 800-897 -- Violin
- ML 900-905 -- Viola
- ML 910-915 -- Cello
- ML 920-925 -- Double bass
- Instruction and study
- Instrumental techniques, including methods, studies, and orchestral
excerpts:
- MT 259 -- General
- MT 260-279 -- Violin
- MT 280-298 -- Viola
- MT 300-318 -- Cello
- MT 320-334 -- Double bass
- MT 336 -- Viola d'amore
- MT 338 -- Viola da gamba and other early string instruments
See also M, ML, and MT numbers for
brass, guitar,
percussion, piano,
vocal music, and woodwinds.
Top.
- Solo songs with orchestra
- M 1613 -- Full scores
- M 1614 -- Vocal scores
- Solo songs with piano
- M 1619 -- Collections by more than one composer
- M 1620 -- Collections by one composer:
- M 1620.B -- Brahms
- M 1620.F -- Faure
- M 1620.I -- Ives
- M 1620.S -- Schubert, Schumann, Strauss
- M 1621 -- Separate songs
- M 1621.4 -- Song cycles
- Operas, musicals
- M 1500 -- Full scores
- M 1503 -- Vocal scores
- Oratorios
- M 2000 -- Full scores
- M 2003 -- Vocal scores
- Other useful numbers
- M 1530 -- Secular choruses, mixed voices with orchestra, full scores
- M 1533 -- Secular choruses, mixed voices with orchestra, vocal scores
- M 2010 -- Masses
- M 2011 -- Masses, unaccompanied
- M 2020 -- Sacred choruses, mixed voices with orchestra, full scores
- M 2023 -- Sacred choruses, mixed voices with orchestra, vocal
scores
- Literature (a very selective list)
- ML 1400-3275 -- Vocal music
- ML 1460 -- Vocal technique
- ML 1500-1554 -- Choral music
- ML 1600-2881 -- Secular vocal music
- ML 1700 -- Dramatic music (opera, musical theater, etc.):
- ML 1711 -- United States
- ML 1727 -- France
- ML 1729 -- Germany
- ML 1731 -- British Isles
- ML 1733 -- Italy
ML 2075 -- Film music
- ML 2500-2862 -- Songs
- ML 2600-2770 -- Part songs
- ML 2633 -- Madrigals
- ML 2800-2862 -- Solo songs:
- ML 2811 -- United States
- ML 2827 -- France
- ML 2829 -- Germany (Lied)
- ML 2831 -- British Isles
- ML 2900-3275 -- Sacred vocal music:
- ML 3000 -- Christian (general)
- ML 3002-3095 -- Roman Catholic
- ML 3100-3188 -- Protestant
- ML 3195 -- Jewish
- ML 3197 -- Islamic
- Instruction and study
- Singing and voice culture:
- MT 820 -- General
- MT 821 -- Physiology, hygiene
- MT 823 -- History of vocal pedagogy
- MT 825-850 -- Systems and methods
- MT 885 -- Studies and exercises
See also M, ML, and MT numbers for
brass, guitar,
percussion, piano,
strings, and woodwinds.
Top.
- Solo music, unaccompanied
- M 60-64 -- Flute
- M 65-69 -- Oboe
- M 70-74 -- Clarinet
- M 75-79 -- Bassoon
- M 105-109 -- Saxophone
- M 110.R4 -- Recorder
- Solo with piano or continuo
- M 240-244 -- Flute
- M 245-247 -- Oboe
- M 248-252 -- Clarinet
- M 253-254 -- Bassoon
- M 268-269 -- Saxophone
- M 270.R4-271.R4 -- Recorder
- Chamber music
- M 288-289 -- Duets, winds
- M 357.2, 457.2, 557.2, etc. -- Woodwind trios, quartets, quintets,
etc.
- M 557 -- Woodwind quintets (Flute, oboe, clarinet, bassoon,
horn)
- Other useful numbers
- M 1001 -- Symphonies
- M 1002 -- Symphonic poems
- M 1003 -- Orchestral suites, variations
- M 1004 -- Overtures
- Literature
- Books on construction, music, and playing:
- ML 930 -- Woodwinds, general
- ML 935-937 -- Flute
- ML 940-943 -- Oboe
- ML 945-948 -- Clarinet
- ML 950-953 -- Bassoon
- ML 975-978 -- Saxophone
- ML 990.R4 -- Recorder
- Instruction and study
- Instrumental techniques, including methods, studies, and orchestral
excerpts:
- MT 340-348 -- Flute
- MT 350-353 -- Recorder
- MT 360-368 -- Oboe
- MT 380-388 -- Clarinet
- MT 400-408 -- Bassoon
- MT 500-508 -- Saxophone
See also M, ML, and MT numbers for
brass, guitar,
percussion, piano,
strings, and woodwinds.
Top.
Dictionaries, Encyclopedias |
Bibliography |
History by period, region |
Biography |
Composition |
Conducting |
Instruments |
Vocal music |
Program music |
Dance music |
Popular music |
Folk, ethnic (etc.) music |
Philosophy and physics
of music |
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- ML 1, ML 5 -- Periodicals
- ML 48-54 -- Texts of vocal works
- ML 50 -- Operas
- ML 54.6 -- Songs
- ML 55 -- Collections, festschrifts
- ML 60 -- Collections (by one author)
- ML 82 -- Women and music
- ML 96.4, 96.5 -- Facsimiles of composers' sketches, autographs
- Dictionaries and encyclopedias
- ML 100 -- General
- ML 102 -- Special topics (by topic)
- ML 105 -- Biographical, international
- ML 106 -- Biographical, national (by country)
- ML 108 -- Terminological
- Bibliography
- ML 113 -- International
- ML 120 -- National (by country)
- ML 128 -- Special topics (by topic)
- ML 134 -- Composers (thematic catalogs, etc.) (by composer)
- ML 136 -- Library catalogs (by library)
- ML 156 -- Discography
- History and criticism
- ML 160 -- General
- By period
- ML 162-169 -- Ancient
- ML 170-190 -- Medieval
- ML 194 -- 17th century
- ML 195 -- 18th century
- ML 196 -- 19th century
- ML 197 -- 20th century
- By region
- ML 199-220 -- North America
- ML 200 -- United States
- ML 220-239 -- Central, South America
- ML 240-325 -- Europe
- ML 330-345 -- Asia
- ML 350 -- Africa
- ML 360 -- Australia, Oceania
- Biography -- ML 385-429
- ML 410 -- Composers (by composer)
- ML 416-419 -- Instrumentalists (by performer)
- ML 420 -- Singers (by singer)
- Composition -- ML 430-455
- ML 431 -- Notation
- ML 442 -- Thoroughbass
- ML 444 -- Harmony
- ML 448 -- Form
- ML 455 -- Instrumentation
- Conducting and interpretation
-- ML 457
- Instruments and instrumental music
-- ML 460-1354
- ML 460 -- General
- ML 462 -- Catalogs of musical instruments
- ML 465 -- Early music (to 1600)
- ML 467 -- 1600-1750
- ML 475-484 -- North American, Central America
- ML 486 -- South America
- ML 489-522 -- Europe
- ML 525-541 -- Asia
- ML 544 -- Africa
- ML 547 -- Australia, Oceania
- ML 550-649 -- Organ
- ML 650-747 -- Piano
- ML 750, 755 -- Strings (general, construction)
- ML 800-897 -- Violin
- ML 900-927 -- Viola, cello, double bass
- ML 930-990 -- Wind instruments
- ML 1000-1018 -- Plectral instruments
- ML 1030-1040 -- Percussion
- ML 1055 -- Sound recordings
- ML 1092 -- Electronic instruments
- ML 1100-1165 -- Chamber music
- ML 1200-1270 -- Band music
- ML 1300-1354 -- Orchestral music
- Vocal music -- ML 1400-3275
- ML 1500-1554 -- Choral music
- ML 1600-2881 -- Secular vocal music
- ML 1700 -- Dramatic music (opera, musical theater, etc.)
- ML 1711 -- United States
- ML 1727 -- France
- ML 1729 -- Germany
- ML 1731 -- British Isles
- ML 1733 -- Italy
- ML 2075 -- Film music
- ML 2500-2862 -- Songs
- ML 2600-2770 -- Part songs
- ML 2800-2862 -- Solo songs
- ML 2811 -- United States
- ML 2827 -- France
- ML 2829 -- Germany (Lied)
- ML 2831 -- British Isles
- ML 2900-3275 -- Sacred vocal music
- ML 3000 -- Christian (general)
- ML 3002-3095 -- Roman Catholic
- ML 3082 -- Chant
- ML 3100-3188 -- Protestant
- ML 3195 -- Jewish
- ML 3197 -- Islamic
- Program music -- ML 3300-3354
- Dance music -- ML 3400-3465
- Popular music -- ML 3469-3541
- ML 3470 -- General
- ML 3477 -- United States
- ML 3506-3509 -- Jazz
- ML 3518 -- Big band
- ML 3521 -- Blues
- ML 3524 -- Country
- ML 3534 -- Rock
- National music
(folk, ethnic, etc.) -- ML 3545-3775
- ML 3547 -- Ethnomusicology
- ML 3550-3570 -- North America
- ML 3572 -- Central America
- ML 3575 -- South America
- ML 3580-3730 -- Europe
- ML 3740-3758 -- Asia
- ML 3760 -- Africa
- ML 3770 -- Australia, Oceania
- Jewish music -- ML 3776
- Musicology -- ML3797
- Ethnomusicology -- ML3799.E
- Philosophy and physics of music
- ML 3800 -- General
- ML 3805-3817 -- Acoustics and physics
- ML 3830 -- Psychology
- ML 3845-3877 -- Aesthetics
- ML 3880 -- Criticism
Top.
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Author: Eunice Schroeder.
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