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Encyclopedic Discography of Victor Recordings
Project History
The Encyclopedic Discography of Victor Recordings (EDVR) was conceived by two record collectors, Ted Fagan and William R. Moran, in the early 1960s.
Mr. Fagan, a United Nations interpreter, and Mr. Moran, a geologist for
the oil industry, both collected recordings (primarily classical music)
and shared their dismay over the lack of information available about Victor
Red Seal records. Corresponding by post for a number of years, they conceived
a project to document every Victor classical recording. According to Mr.
Fagan's introduction to the second and last published volume of their
discography, as he and Mr. Moran developed their classical music discography
they came to recognize that there would be equal interest by scholars
and collectors in the recording sessions that surrounded Victor's classical
music recording sessions. They recognized that to limit their publication
to the classical sessions would have been "inappropriate," and
that the complete historical context of Victor's history, the "total
picture," was necessary. With that realization they expanded their
goal to document every Victor recording session for 78rpm discs.
In 1966, Mr. Fagan was granted liberal access to the recording files
held by RCA Victor Records, the successor to the Victor Talking Machine
Company. Mr. Fagan devoted many thousands of hours to compiling lists
of the tens of thousands of Victor master recording sessions. Mr. Fagan's
process was to create index cards for each recording session listed in
Victor's ledgers, which were arranged by recording artist. The artist
ledgers included the dates of recording, the names of works performed,
the number of "takes" recorded, and a limited amount of information
about accompanists or musical forces employed at the session. Mr. Fagan
collated this information with that found on Victor's "Blue History
Cards," the company's archival collection of over 200,000 cards documenting
every disc released by the company. From his index cards, Mr. Fagan typed
two sets of lists-a numerical register of every session, with related
takes, and a chronological list of all takes. These documents were then
shared with Mr. Moran, who annotated them with information obtained from
actual recordings, Victor trade catalogs, and fellow collectors and other
subject experts.
In the early 1980s, the project became affiliated with the Archive
of Recorded Sound at the Stanford University Library. The library
staff assisted Mr. Fagan and Mr. Moran in preparing the discography for
publication. In 1983, the first volume of the discography was published
in book form and in 1986 a second volume was published.
After the death of Ted Fagan in February 1987, Mr. Moran continued to
gather and edit the data along with staff at Stanford and eventually Mr.
Fagan's typescript notebooks listing all of the master recording sessions
were sent overseas and input into an Oracle database, though no further
books were published. In failing health, William R. Moran asked the UCSB
Libraries to take over the project in 2003. Mr. Moran provided an endowment
for the project and it was transferred to the Department of Special Collections
at the UCSB Libraries.
In 2004, an advisory board was formed and in 2005 Samuel Brylawski was
hired as editor of the project and to enable more flexibility in editing
and verifying the data, the data was migrated from its Oracle platform
to FileMaker Pro 7.
The data is now being systematically edited, and digital scans of the original Victor recording ledgers are being consulted to verify the data along with catalogs, original recordings and other sources.
In April 2007 the project was awarded funding from the National Endowment for the Humanities to complete editing of the data through the acoustic era and create an online database of the information.
Page author: David Seubert.
Last modified:
04/27/07 04:51:56
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